Save_Name  Scale Name Formula           Pitch Class   # of Mode Triad         Seventh     Ninth         Eleventh               Thirteenth                     Mode II 7th         Mode III 7th       Mode IV 7th       Mode V 7th         Mode VI 7th       Mode VII 7th         Raw Spelling Root C               Enharmonic Spelling C
7_5_14_5_Epyrian Epyrian R,b2,bb3,bb4,bb5,bb6,3b7   {0,1,2,3,5,7,8}   5 Rageshri sus2add11(no 5)     #5sus2add11   #5sus2addb9add11   m#5add9addb9add11         maddb13add9addb9add11                 IIMaj7b5sus2       iiimMaj7b5         IVMaj7sus6         vm7#5           VI7sus4         VIIMaj7sus4         C,Db,Ebb,Fbb,Gbb,Abb,Bbbb             C,Db,D,Eb,F,G,Ab
CONCAT(A2,"_G")                                                                 Native Chords         Seventh Chords of Related Modes   Open Form   Alternate open form         Second position extension
      Epyrian Scale Forms                                                                                             Play the Epyrian scale on any of these chords and their variations.   b4   bb3 bb6   b4   b4   b4   bb3 bb6   b4
R,b2,bb3,bb4,bb5,bb6,3b7                                                                                             Roman numeral analysis above assumes Epyrian is the primary mode.    bb5 b7     R bb5 bb5 Enharmonic Spelling C     bb5 b7     R bb5
  This scale has unusual accidentals, so it can not be analyzed using the software developed for other scales.                                                                               The Roman numerals from Rageshri, the typical primary mode, are more likely.       b4   b2       C,Db,D,Eb,F,G,Ab           b4   b2  
  You can figure the patterns by using the scales in the same mode that can be analyzed (white rows).                                                                                                                                                     bb6 R bb5 b7 bb3 bb6 bb6 R bb5 b7 bb3 bb6   bb6 R bb5 b7 bb3 bb6